At the still point
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [2]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [2]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
At the still point
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [1]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [1]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
At the still point
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [3]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [3]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
At the still point
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [4]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [4]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
At the still point
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [5]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
These sculptures rest on a fine fulcrum point; it takes very little movement to disturb their equilibrium and then we need to allow time for them to find their still point once more. [5]
“...at the still point, there the dance is” (Burnt Norton, T.S.Eliot)
Ephemeral nature
Small detail of unbleached tissue paper installation of words written in metallic ink that I had forgotten (and later recalled) during the first 6 months of 2009.
I found myself becoming more and more distressed as I kept losing words and wondering if I was beginning to suffer from Alzheimers; I decided I needed a sense of humour about this and planned to write down the words when I recalled them and make an art work about the process. I also stopped forgetting so many words. [1]
Small detail of unbleached tissue paper installation of words written in metallic ink that I had forgotten (and later recalled) during the first 6 months of 2009.
I found myself becoming more and more distressed as I kept losing words and wondering if I was beginning to suffer from Alzheimers; I decided I needed a sense of humour about this and planned to write down the words when I recalled them and make an art work about the process. I also stopped forgetting so many words. [1]
Ephemeral nature
Small detail of unbleached tissue paper installation of words written in metallic ink that I had forgotten (and later recalled) during the first 6 months of 2009.
I found myself becoming more and more distressed as I kept losing words and wondering if I was beginning to suffer from Alzheimers; I decided I needed a sense of humour about this and planned to write down the words when I recalled them and make an art work about the process. I also stopped forgetting so many words. [2]
Small detail of unbleached tissue paper installation of words written in metallic ink that I had forgotten (and later recalled) during the first 6 months of 2009.
I found myself becoming more and more distressed as I kept losing words and wondering if I was beginning to suffer from Alzheimers; I decided I needed a sense of humour about this and planned to write down the words when I recalled them and make an art work about the process. I also stopped forgetting so many words. [2]
Untitled
Low relief sculptural installation of punched boxes with reflected colour lit from inside. The colour is reflected from the wall behind the front of the box...
the reference is to moments in time and memories available and unavailable at that time. [1]
Low relief sculptural installation of punched boxes with reflected colour lit from inside. The colour is reflected from the wall behind the front of the box...
the reference is to moments in time and memories available and unavailable at that time. [1]
Untitled
Since I was a child when I watched tellers sort coins in boxes with different sized holes where the smallest coins fell to the bottom I have been interested in templates. I have been translating the idea of layers and of patterns (templates) which are transmitted through story and absence of story (memory and loss of memory) into my work.
[2]
Since I was a child when I watched tellers sort coins in boxes with different sized holes where the smallest coins fell to the bottom I have been interested in templates. I have been translating the idea of layers and of patterns (templates) which are transmitted through story and absence of story (memory and loss of memory) into my work.
[2]
Untitled
The work is abstract and contemporary; maps, codes, templates, skeletons or underlying structures evoking mechanical systems for recording what is organic and unseen; what is thought and what is forgotten; what is known but has not been thought. They echo digital codes for thought and memory, or traces of brainwaves.[3]
The work is abstract and contemporary; maps, codes, templates, skeletons or underlying structures evoking mechanical systems for recording what is organic and unseen; what is thought and what is forgotten; what is known but has not been thought. They echo digital codes for thought and memory, or traces of brainwaves.[3]
